One of my talents is recreating organic patterns. Woodgrain is something I really enjoy doing! The floor for Pygmalion was very rewarding. It was sad having to paint over it with black after the show closed. 

I was tasked with painting a large portion of the set. With the help of Celeste Morris, we completed a large backdrop and painted the floors. The backdrop was the largest piece of muslin I've ever seen!

I was able to balance a heavy workload, being both paint charge and the lead of the show. I demonstrated mixing large quantities of paints, leading teams, lettering, and working off of hand-drawn plans.

As a freshman in college, it was a big deal for me to become paint charge. During this production, I learned to collaborate with designers like Dennis Maulden (of the Flatrock Playhouse in NC), properly take care of my tools, paint on soft goods such as canvas/muslin, and paint more efficiently.